White Snake Projects Presents

REV. 23

September 29 - October 1, 2017 | John Hancock Hall

Rev. 23

Julian Wachner, composer | Cerise Lim Jacobs, librettist 

Commissioned by White Snake Projects

Run Time: Approx. 90 minutes without intermission; Performed in English with subtitles

September 29 – October 1, 2017

John Hancock Hall

SYNOPSIS

The Book of Revelation ends at chapter 22. Or does it?

REV. 23 is the hitherto unpublished last chapter of the Book of Revelation as dictated by St. John the Divine and transcribed by Cerise Lim Jacobs. It narrates the last battle to recapture Paradise-on-Earth and restore the balance of good and evil to our world. Persephone, the only being able to pass freely between Hell and Earth, is recruited by Lucifer in the fight against the rulers of Paradise-on-Earth. No one is exempt from this battle. Which side are you on?

Highlights

Press

“Jacobs’ literary and imaginative feracities are prodigious. Companies large and small each year award commissions, and jockey to produce the next big, popular, audience-enhancing operatic phenomenon. Is anyone looking toward Boston?”
La Scena Musicale & Opera Canada
“Wachner’s protean score deftly employs a grab-bag of 20th-century operatic and musical-theater styles to hold a mirror to the libretto….Sunday’s audience rose to its feet.”
The Boston Globe
“Wachner’s REV. 23 sounds as broad, interesting, and brightly colored as the characters and plot of Jacobs’ libretto.”
Boston Musical Intelligencer

Photo Gallery

The Inspiration

I dreamed up REV. 23 one day as I was thinking of where I would meet my husband Charles again since he passed from this world. It amused me that my incorrigible, irascible and impossible husband wouldn’t be caught dead (pardon the pun) in Paradise (not that he’d be entirely welcome there) as some of the most interesting people seem to be consigned to that other place. This led to more musing about what Heaven was like and concomitantly, what that other place was like.

I was aided in these musings by the fact that I was a Singaporean Methodist, a product of an American Methodist Missionary school and deeply steeped in biblical lore. So I turned, naturally, to the most detailed account of Paradise-on-Earth familiar to me, the divine visions of John of Patmos, author of the Book of Revelation.

Poring over the Book of Revelation over and over again (it’s a very short book), I couldn’t shake away the sense of unease that grew stronger with each read, that perhaps I wouldn’t be perfectly happy in a place of perfect happiness. As I began to explore why I felt uneasy, the framework for REV. 23, the final chapter of the Book of Revelation, began to take shape.

At first, my superstitiousness made me balk at developing the REV. 23 story. I wondered if I would be cursed with the plagues of Revelation because I was adding to the words of the Book of Revelation, indeed, writing an entirely new chapter. For those who do not know what I mean, here’s the quote from Revelation 22: 18-19:

“For I testify unto every man that heareth the words of the prophecy of this book, If any man shall add unto these things, God shall add unto him the plagues that are written in this book: And if any man shall take away from the words of the book of this prophecy, God shall take away his part out of the book of life, and out of the holy city, and from the things which are written in this book.”

Then it occurred to me that perhaps John of Patmos was speaking through me about his last chapter, hitherto unwritten and unpublished, that I was merely the scribe chosen to write it down. That’s why John of Patmos is credited as the author of REV. 23.

For me, the Garden of Eden is part and parcel of Paradise-on-Earth. So naturally, REV. 23 segues back into Genesis and the story of Adam and Eve’s expulsion from Paradise. Hence the “beginning” of REV. 23 is really the End of the great saga recounted in the Bible, and its “end” is the Beginning of the Bible, reflecting the perfect circle that is life.

-Opera Maker CERISE  LIM JACOBS

CREATIVES

Opera Maker + Librettist

Set & Costume Designer

Projection Designer

Lighting Designer

Director of Animation

SUPPORT

Creative and developmental support provided by Beth Morrison Projects