I Am A Dreamer Who No Longer Dreams

September 20-22, 2019
Emerson Paramount Theater, Robert J. Orchard Stage
Boston

Credits

Jorge Sosa, Composer

Cerise Lim Jacobs, Creator and Librettist

Prologue: SING OUT STRONG Immigrant Voices

This program is supported in part by a grant from the Boston Cultural Council and administered by the Mayor’s Office of Arts and Culture.

I Am a Dreamer Who No Longer Dreams is made possible in part by a grant from the National Endowment for the Arts.

 

About

An immigrant story

Two children, worlds apart—one flies, one walks—to America.
Two girls, divergent lives—one green card, one undocumented—in America.
Two women—different struggles, disparate hopes—for America.
Two friends, shared dreams, one journey—through America.
Read the full synopsis

Creative Team

Jorge Sosa Composer
Cerise Lim Jacobs Creator and Librettist
Elena Araoz Director
Robbie Jacobs Boston Children's Chorus Director
Zane Pihlstrom Set and Costume Designer
Jeff Adelberg Lighting Designer
Wanda Strukus Producer
Timothy Steele Rehearsal Pianist
Julia Carey Rehearsal Pianist

Related Events

Voices of America

April 13, 2019
First Church Boston

SING OUT STRONG: Immigrant Voices

August 1, 2019 6pm
Multicultural Arts Center

SING OUT STRONG: Immigrant Voices

August 8, 2019
Pao Performing Arts Center

 

The Inspiration

I am a new American, an immigrant of ethnic Chinese origin, from Singapore. I grew up when my country was still a British colony. My ancestors, originally from China, came to South East Asia as part of the great Chinese diaspora, in search of a better life. Then it was my family’s turn to leave to find a better life, a life without racial turmoil, or race riots and fear of Chinese communism as the British got rid of all their colonial possessions. They settled in Australia, but I continued on – to Oxford, England, then to Canada and America, sponsored by a Polish Solidarity member who had jumped ship in New York and who knew what it was like to be without a country. Immigration is in my DNA, it seeps through every pore in my body. On September 5, 2017, President Trump, with one stroke of his pen, revoked Deferred Action for Childhood Arrivals (DACA), upending the lives of DACA recipients—Dreamers—in the country that had become their home. Read Cerise's inspiration

I Am A Dreamer Who No Longer Dreams on the White Snake Projects Blog

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Activist Blog: “We All Have Learning to Do”

by Abby Nordan Members of the Boston Children’s Chorus sing the “Pledge of Allegiance” during I Am A Dreamer Who No Longer Dreams. Photo by Kathy Wittman/Ball Square Films. I can’t think of any recent moment in which I have been more moved than I was while watching the premiere… Read More

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A Note From Dreamer Director Elena Araoz

This opera about immigrants is deeply and entirely American. In some ways, I Am a Dreamer Who No Longer Dreams seems to leap directly onto the stage from today’s headlines. Our design for this premiere production evokes the inhospitable institutions that immigrants face as they are rounded up, detained… Read More

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Q+A with Jorge Sosa

Composer Jorge Sosa was all set to work with White snake Projects on the opera, Monkey: A Kung Fu Parable when President Trump revoked the DACA act. He and Cerise put Monkey aside and started work on I Am A Dreamer Who No Longer Dreams. Read More

Maria smile On the Town
Q+A with Maria Sensi Sellner

Conductor Maria Sensi Sellner took a break from rehearsal to answer a few of our questions about her pre-performance rituals and more! Q: What led you to pursue a career in music? I actually did not, at first! I was involved in musical activities from a very early… Read More

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Q+A with Kirsten Chambers

Soprano Kirsten Chambers has her hands full in I Am A Dreamer Who No Longer Dreams, playing the gangsters who threaten Singa and Rosa’s families, their mothers, and Rosa’s prosecutor. Kirsten took a break from juggling so many roles to talk about being in Dreamer. Q: How do you… Read More

Photo by Kathy Wittman
Q+A with Isis and Amy

Interview by Abby Nordan On this day three years ago, my friends and I sat in the Emerson Cutler Majestic Theatre for the world premiere of Gilgamesh. After months of rehearsing and workshopping and preparing, we and our choir, the… Read More

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