White Snake Projects Presents

Gilgamesh

A Video Game Opera

September 10-17, 2016 | Emerson/Cutler Majestic Theatre

Gilgamesh

Paola Prestini, composer | Cerise Lim Jacobs, librettist 

Commissioned by Friends of Madame White Snake & Boston Lyric Opera 

Run Time: Approx. 90 minutes without intermission; Performed in English with subtitles

September 10-17, 2016

Emerson/Cutler Majestic Theatre

SYNOPSIS

Ming, the half-demon son of Madame White Snake, is a character closely related to the Sumerian demi-god Gilgamesh.

Ming was abandoned during his mother’s epic battle with the Abbot. He encounters his mother for the first time in her human form while she is imprisoned by the Abbot in the Golden Mountain Monastery. She reveals his birthright – the power to control the waters and begs him to use this power to save her.Ming returns home to find that his wife has just given birth to a white, iridescent baby girl who resembles her grandmother. He gives the baby to Xiao Qing who had saved him when his mother was defeated. He returns to the Monastery. A robe and empty alms bowl are all that are left. Ming dons the robe, takes the alms bowl and leaves.

Highlights

Press

“Jacobs’ literary and imaginative feracities are prodigious. Companies large and small each year award commissions, and jockey to produce the next big, popular, audience-enhancing operatic phenomenon. Is anyone looking toward Boston?”
La Scena Musicale & Opera Canada
“Wachner’s protean score deftly employs a grab-bag of 20th-century operatic and musical-theater styles to hold a mirror to the libretto….Sunday’s audience rose to its feet.”
The Boston Globe
“Wachner’s REV. 23 sounds as broad, interesting, and brightly colored as the characters and plot of Jacobs’ libretto.”
Boston Musical Intelligencer

Photo Gallery

The Inspiration

The more I got into the writing of Madame White Snake, the clearer it became that there was too much material to cram into one opera. I mean, what happened to the baby that was born to the White Snake during her epic battle with her arch nemesis, the Abbot? This was a question Charles asked over and over again until, with some exasperation, I began to write the story of Ming, the White Snake’s son, in order to answer his question.

CREATIVES

Opera Maker + Librettist

Director & Production Designer

Assistant Conductor

Michele Adams

Boston Children’s Chorus Master

Yi Zhao

Lighting Designer

Costume Designer

S. Katy Tucker

Projection Designer

Beth Morrison

Creative Producer

SUPPORT

The Ouroboros Trilogy was made possible in part by a grant from the Boston Cultural Council