White Snake Projects Presents
Gilgamesh
A Video Game Opera
September 10-17, 2016 | Emerson/Cutler Majestic Theatre
Gilgamesh
Paola Prestini, composer | Cerise Lim Jacobs, librettist
Commissioned by Friends of Madame White Snake & Boston Lyric Opera
Run Time: Approx. 90 minutes without intermission; Performed in English with subtitles
September 10-17, 2016
Emerson/Cutler Majestic Theatre
SYNOPSIS
Ming, the half-demon son of Madame White Snake, is a character closely related to the Sumerian demi-god Gilgamesh.
Ming was abandoned during his mother’s epic battle with the Abbot. He encounters his mother for the first time in her human form while she is imprisoned by the Abbot in the Golden Mountain Monastery. She reveals his birthright – the power to control the waters and begs him to use this power to save her.Ming returns home to find that his wife has just given birth to a white, iridescent baby girl who resembles her grandmother. He gives the baby to Xiao Qing who had saved him when his mother was defeated. He returns to the Monastery. A robe and empty alms bowl are all that are left. Ming dons the robe, takes the alms bowl and leaves.
Highlights
Press
The Inspiration
The more I got into the writing of Madame White Snake, the clearer it became that there was too much material to cram into one opera. I mean, what happened to the baby that was born to the White Snake during her epic battle with her arch nemesis, the Abbot? This was a question Charles asked over and over again until, with some exasperation, I began to write the story of Ming, the White Snake’s son, in order to answer his question.
CAST
CREATIVES
Michele Adams
Boston Children’s Chorus Master
Yi Zhao
Lighting Designer
S. Katy Tucker
Projection Designer
Beth Morrison
Creative Producer
SUPPORT
The Ouroboros Trilogy was made possible in part by a grant from the Boston Cultural Council